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Crime and Punishment, Fyodor Dostoevsky
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Fyodor Dostoevsky

Crime and Punishment

In 'Crime and Punishment', Fyodor Dostoyevsky intricately weaves a psychological narrative that delves into the mind of Raskolnikov, an impoverished former student who theorizes that extraordinary individuals can transcend moral boundaries. Written in a realist style, the novel encapsulates the moral dilemmas and existential angst of 19th-century Russia, reflecting the societal tensions of post-Emancipation. Dostoyevsky employs rich philosophical dialogue and a fragmented narrative structure to mirror Raskolnikov's turbulent psyche, ultimately exploring themes of guilt, redemption, and the quest for meaning in a chaotic world. Dostoyevsky, a figure shaped by personal hardship, incarceration, and a deep engagement with the socio-political landscape of Russia, draws on his own experiences with suffering and existential dread in this seminal work. His encounters with radical thought and his explorations of faith and doubt inform Raskolnikov's internal battles, offering profound insights into the nature of morality and the human condition, underscored by his own tumultuous life. 'Crime and Punishment' is essential reading for anyone interested in existential philosophy, the complexities of morality, and the depth of human psychology. Dostoyevsky's exploration of the dark underbelly of society and the moral struggles of his characters makes this novel a timeless reflection on the consequences of one's actions, resonating with modern readers seeking to understand the intricacies of guilt and redemption.
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706 afgedrukte pagina’s
Auteursrechteigenaar
Bookwire
Oorspronkelijke uitgave
2022
Jaar van uitgave
2022
Uitgeverij
DigiCat
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Citaten

  • Talia Garzaciteerde uitvorige maand
    Trifles, trifles are what matter! Why, it's just such trifles that always ruin everything. . . ."
  • Talia Garzaciteerde uitvorige maand
    What matters is that people would remember it, and that would give them
  • Talia Garzaciteerde uitvorige maand
    "Hey there, German hatter" bawling at the top of his voice and pointing at him--the young man stopped suddenly and clutched tremulously at his hat. It was a tall round hat from Zimmerman's, but completely worn out, rusty with age, all torn and bespattered, brimless and bent on one side in a most unseemly fashion. Not shame, however, but quite another feeling akin to terror had overtaken him.
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