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Susan Orlean

Susan Orlean has been a staff writer at The New Yorker since 1992. She is the author of seven books, including Rin Tin Tin, Saturday Night, and The Orchid Thief, which was made into the Academy Award–winning film Adaptation. She lives with her family and her animals in upstate New York.
levensjaren: 31 oktober 1955 heden

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Oscar Angelciteerde uit2 jaar geleden
By this point it had burned through most of its fuel. The books in the northeast stacks were crumbles, ashes, powder, and charred pages heaped a foot deep. The last flags of fire fluttered, seethed, settled, and finally died. It had required 1,400 tanks of air; 13,440 square feet of salvage covers; two acres of plastic sheeting; ninety bales of sawdust; more than three million gallons of water; and the majority of the city of Los Angeles’s firefighting personnel and equipment, but the library fire was at last declared extinguished, “a knockdown,” at six thirty P.M. on April 29, 1986. It had raged for seven hours and thirty-eight minutes.
Oscar Angelciteerde uit2 jaar geleden
A book feels like a thing alive in this moment, and also alive on a continuum, from the moment the thoughts about it first percolated in the writer’s mind to the moment it sprang off the printing press—a lifeline that continues as someone sits with it and marvels over it, and it continues on, time after time after time.
Oscar Angelciteerde uit2 jaar geleden
The library is an easy place to be when you have no place you need to go and a desire to be invisible.
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