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Deborah Levy

Deborah Levy trained at Dartington College of Arts leaving in 1981 to write a number of plays, highly acclaimed for their "intellectual rigour, poetic fantasy and visual imagination", including PAX, HERESIES for the Royal Shakespeare Company, CLAM, CALL BLUE JANE, SHINY NYLON, HONEY BABY MIDDLE ENGLAND, PUSHING THE PRINCE INTO DENMARK and MACBETH-FALSE MEMORIES, some of which are published in LEVY: PLAYS 1 (Methuen)Deborah wrote and published her first novel BEAUTIFUL MUTANTS (Vintage), when she was 27 years old. The experience of not having to give her words to a director, actors and designer to interpret, was so exhilarating, she wrote a few more. These include, SWALLOWING GEOGRAPHY, THE UNLOVED (Vintage) and BILLY and GIRL (Bloomsbury). She has always written across a number of art forms (see Bookworks and Collaborations with visual artists) and was Fellow in Creative Arts at Trinity College, Cambridge from 1989-1991.

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b0767492440citeerde uit2 jaar geleden
but he lived in hope because, as he told Jurgen, what else was there to live in?
b9373520097citeerde uit2 jaar geleden
His lips were warm and they were on hers. She was kissing Mick Jagger and he was devouring her like a wolf or something fierce but soft as well and definitely not calm. He was telling her she was so so everything. She moved even closer and then he stopped talking.
b9373520097citeerde uit2 jaar geleden
His lips were warm and they were on hers. She was kissing Mick Jagger and he was devouring her like a wolf or something fierce but soft as well and definitely not calm. He was telling her she was so so everything. She moved even closer and then he stopped talking.
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