Revisiting Renoir, Manet and Degas

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This work analyses the relationship between visual art and contemporary art fiction by addressing the problem of the ekphrastic re-presentation and re-interpretation of an Impressionist figure painting through its composition, selected details of the painting and allusion to specific techniques used in the process of creating the masterpiece based on the examples of the following novels: Luncheon of the Boating Party (LOTBP) by Susan Vreeland (2007), Mademoiselle Victorine (MV) by Debra Finerman (2007), With Violets (WV) by Elizabeth Robards (2008), Dancing for Degas (DFD) by Kathryn Wagner (2010) and The Painted Girls (TPG) by Cathy Marie Buchanan (2013).

Comparative Literature Literary Criticism

393 afgedrukte pagina’s

Auteursrechteigenaar: Bookwire
Oorspronkelijke uitgave: 2019
Jaar van uitgave: 2019
Uitgeverij: Narr Francke Attempto Verlag

Citaten

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sense-impressions of seen objects that put emphasis on their hues”
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Impressionism offers “canvases that [play] on a tension between an openly dabbed-on plane surface and a rendering of
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Impressionists step aside from traditionally approved historical or mythological subjects and find theirs in everyday ‘real’ life.
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