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Alex Cox

Alex Cox's Introduction to Film

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Emerging filmmakers need to know the basics of their art form: the language of the camera, and lenses, the different crew roles, the formats, the aspect ratios. They also need to know some bare-bones theory: what an auteur is, what montage is, what genres are. Most important, all filmmakers require serious grounding in film. You cannot be a great artist if you aren't versed in great art. An Introduction to Film covers all these aspects, from a director and filmmaker's perspective. According to Cox, 'Academics have a very specific take on things, and a language of their own. That take and that language aren't mine. I'm a film director, writer, actor and producer. So my 'intro to film' may be somewhat different from the standard introductory text. I am less focused on film theory, and more on a film's meaning, the intentions of the filmmaker, and how they got their film made.'
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234 afgedrukte pagina’s
Auteursrechteigenaar
Bookwire
Oorspronkelijke uitgave
2016
Jaar van uitgave
2016
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Citaten

  • Artem Aleksashinciteerde uit7 jaar geleden
    For a long time the Mexican film industry was protected by a Ley de Cine which insisted that English-language films could not be dubbed in Spanish, only subtitled. This functioned as a literacy programme and limited American penetration of the national cinema.
  • Artem Aleksashinciteerde uit7 jaar geleden
    France only allowed women to vote in 1944, Italy in 1946, Greece in 1952. In Switzerland, so often held up as the European ideal, women were not allowed to vote until 1971!
  • Artem Aleksashinciteerde uit7 jaar geleden
    Ms Nogami also reports that, in the fifties, methamphetamine was legal in Japan, and that studios supplied it free to crews who worked without sleep for days at a time;
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