The Adolescent

He is a true poet and loves Russia, but on the other hand he totally denies her. He is without any religion, but is almost ready to die for something indefinite, which he cannot even name, but which he passionately believes in, after the manner of a multitude of Russian-European civilizers of the Petersburg period of Russian history.

It was one of those minutes that, perhaps, occur with everyone, but that come only once in a lifetime. In such moments you decide your fate, determine your worldview, and say to yourself once and for all your life: “Here is where the truth lies, and here is where I should go to reach it.” Yes, those moments were the light of my soul.

Well, how can you say to a man you’re driving away, ‘I almost love you’?”

They would love the earth and life irrepressibly and in the measure to which they gradually became aware of their transient and finite state, and it would be with a special love now, not as formerly. They would begin to observe and discover such phenomena and secrets in nature as they had never supposed before, because they would look at nature with new eyes, the eyes with which a lover looks at his beloved. They would wake up and hasten to kiss each other, hurrying to love, conscious that the days were short, and that that was all they had left. They would work for each other, and each would give all he had to everyone, and would be happy in that alone. Every child would know and feel that each person on earth was like a father and mother to him. ‘Tomorrow may be my last day,’ each of them would think, looking at the setting sun, ‘but all the same, though I die, they will all remain, and their children after them’—and this thought that they would remain, loving and trembling for each other in the same way, would replace the thought of a meeting beyond the grave. Oh, they would hasten to love, in order to extinguish the great sadness in their hearts. They would be proud and brave for themselves, but would become timorous for one another. Each would tremble for the life and happiness of each. They would become tender to each other and would not be ashamed of it, as now, and would caress each other like children. Meeting each other, they would exchange deep and meaningful looks, and there would be love and sadness in their eyes . . .

I imagine to myself, my dear,” he began with a pensive smile, “that the battle is over and the fighting has subsided. After the curses, the mudslinging and whistling, a calm has come, and people are left alone, as they wished: the great former idea has left them; the great source of strength that had nourished and warmed them till then is departing, like that majestic, inviting sun in Claude Lorrain’s painting, but it already seemed like the last day of mankind. And people suddenly realized that they remained quite alone, and at once felt a great orphancy. My dear boy, I’ve never been able to imagine people ungrateful and grown stupid. The orphaned people would at once begin pressing together more closely and lovingly; they would hold hands, understanding that they alone were now everything for each other. The great idea of immortality would disappear and would have to be replaced; and all the great abundance of the former love for the one who was himself immortality, would be turned in all of them to nature, to the world, to people, to every blade of grass.

Proud of her hero among us

We spent the night in the fields, brother, and I woke up early in the morning, everybody was still asleep, and the sun hadn’t even peeked out from behind the forest yet. I raised my head, my dear, gazed about me, and sighed: inexpressible beauty everywhere! All’s still, the air’s light; the grass is growing—grow, grass of God; a bird’s singing—sing, bird of God; a baby squeals in a woman’s arms—the Lord be with you, little person, grow and be happy, youngling! And for the first time in my life it was as if I contained it all in myself . . . I lay down again and fell asleep so easily. It’s good in the world, my dear! If I mended a bit, I’d go again in the spring. And that it’s a mystery makes it even better; your heart fears and wonders, and this fear gladdens the heart: ‘All is in thee, Lord, and I am in thee, and so receive me!’ Don’t murmur, young one: it’s all the more beautiful that it’s a mystery,”

laughter is the surest test of a soul. Look at a child: only children know how to laugh perfectly—that’s what makes them seductive. A crying child is repulsive to me, but a laughing and merry child is a ray from paradise, a revelation from the future, when man will finally become as pure and simplehearted as a child. And so something childlike and incredibly attractive also flashed in the fleeting laughter of this old man. I went up to him at once.

Someone’s character won’t be cracked for a long time, then the man bursts out laughing somehow quite sincerely, and his whole character suddenly opens up as if on the flat of your hand. Only a man of the loftiest and happiest development knows how to be mirthful infectiously, that is, irresistibly and goodheartedly. I’m not speaking of his mental development, but of his character, of the whole man. And so, if you want to discern a man and know his soul, you must look, not at how he keeps silent, or how he speaks, or how he weeps, or even how he is stirred by the noblest ideas, but you had better look at him when he laughs. If a man has a good laugh, it means he’s a good man. Note at the same time all the nuances: for instance, a man’s laughter must in no case seem stupid to you, however merry and simplehearted it may be. The moment you notice the slightest trace of stupidity in someone’s laughter, it undoubtedly means that the man is of limited intelligence, though he may do nothing but pour out ideas. Or if his laughter isn’t stupid, but the man himself, when he laughs, for some reason suddenly seems ridiculous to you, even just slightly—know, then, that the man has no real sense of dignity, not fully in any case. Or, finally, if his laughter is infectious, but for some reason still seems banal to you, know, then, that the man’s nature is on the banal side as well, and all the noble and lofty that you noticed in him before is either deliberately affected or unconsciously borrowed, and later on the man is certain to change for the worse, to take up what’s “useful” and throw his noble ideas away without regret, as the errors and infatuations of youth.

think that when a person laughs, in the majority of cases he becomes repulsive to look at. Most often something banal is revealed in people’s laughter, something as if humiliating for the laugher, though the laughing one almost always knows nothing of the impression he makes. Just as he doesn’t know, as nobody generally knows, what kind of face he has when he’s asleep. Some sleepers have intelligent faces even in sleep, while other faces, even intelligent ones, become very stupid in sleep and therefore ridiculous. I don’t know what makes that happen; I only want to say that a laughing man, like a sleeping one, most often knows nothing about his face. A great many people don’t know how to laugh at all. However, there’s nothing to know here: it’s a gift, and it can’t be fabricated. It can only be fabricated by re-educating oneself, developing oneself for the better, and overcoming the bad instincts of one’s character; then the laughter of such a person might quite possibly change for the better. A man can give himself away completely by his laughter, so that you suddenly learn all his innermost secrets. Even indisputably intelligent laughter is sometimes repulsive. Laughter calls first of all for sincerity, but where is there any sincerity in people? Laughter calls for lack of spite, but people most often laugh spitefully. Sincere and unspiteful laughter is mirth, but where is there any mirth in our time, and do people know how to be mirthful? (About mirth in our time—that was Versilov’s observation, and I remembered it.) A man’s mirth is a feature that gives away the whole man, from head to foot.