Amy Tan

The Bonesetter's Daughter

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A major novel from the internationally bestselling author of ‘The Joy Luck Club’, ‘The Kitchen God’s Wife’ and ‘The Hundred Secret Senses’.
LuLing Young is in her eighties, and finally beginning to feel the effects of old age. Trying to hold on to the evaporating past, she begins to write down all that she can remember of her life as a girl in China. Meanwhile, her daughter Ruth, a ghostwriter for authors of self-help books, is losing the ability to speak up for herself in front of the man she lives with. LuLing can only look on, helpless: her prickly relationship with her daughter does not make it easy to discuss such matters. In turn, Ruth has begun to suspect that something is wrong with her mother: she says so many confusing and contradictory things.
Ruth decides to move in with her ailing mother, and while tending to her discovers the story LuLing wrote in Chinese, of her tumultuous life growing up in a remote mountain village known as Immortal Heart. LuLing tells of the secrets passed along by her mute nursemaid, Precious Auntie; of a cave where dragon bones are mined and where Peking Man was discovered; of the crumbling ravine known as the End of the World, where Precious Auntie's bones lie, and of the curse that LuLing believes she released through betrayal. Like layers of sediment being removed, each page unfolds into an even greater mystery: Who was Precious Auntie, whose suicide changed the path of LuLing's life?
Set in contemporary San Francisco and pre-war China, ‘The Bonesetter’s Daughter’ is an excavation of the human spirit. With great warmth and humour, Amy Tan gives us a mesmerising story of a mother and daughter discovering together that what they share in their bones through history and heredity is priceless beyond measure.
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408 afgedrukte pagina’s
Jaar van uitgave
2012
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Citaten

  • Curtis Jacksonciteerde uit4 jaar geleden
    For the past eight years, always starting on August twelfth, Ruth Young lost her voice.

    The first time it happened was when she moved into Art’s flat in San Francisco. For several days, Ruth could only hiss like an untended teakettle. She figured it was a virus, or perhaps allergies to a particular mold in the building.

    When she lost her voice again, it was on their first anniversary of living together, and Art joked that her laryngitis must be psychosomatic. Ruth wondered whether it was. When she was a child, she lost her voice after breaking her arm.

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